On 22 February Paul filed another complaint against Chopra, seeking anticipatory bail. On 9 February 2014, Paul filed a lawsuit against Chopra for defamation, alleging that the actress had abused him on the social networking service Twitter. Chopra later apologised to him in writing, stating that she would not say or write anything about the film without the consent of the producers. He wanted to replace her with Eva Longoria or Mila Kunis. The director Rupesh Paul decided to replace Sherlyn Chopra, after Chopra uploaded a video clip of the photo shoot of the film on her YouTube channel without seeking his permission. Later in June 2016 he went against this and stated: "My film was mistaken as an erotica but it is a war film." Music įive of the songs from this film were shortlisted for nominations in the Best Original Song category for the 86th Academy Awards.
In the film, we are trying to give an extra dimension to the sexual positions described in the ancient treatise on the art of love. Nobody predicted that the Chinese stereoscopic porn would be a major hit. It had remained as a tool to give the biggest jolt in horror movies. ģD appears the best format to portray classic erotica, but it was hardly experimented till recently. The film is co-produced and designed by Sohan Roy, and Dr George John is the executive producer. The story has been written by the director. Kamasutra 3D was produced under the house of Rupesh Paul Productions Limited and presented by G J Entertainments. Mohit Keswani as The Mighty King (flashback).Jay Acharya as The Warrior Prince & Kama Devi's first love (flashback).Kristna Saikia as Japanese Mystic Queen.Mohan Kapoor as Kamashastra Guru's apprentice.King Malkhan as Warrior/Prince/Naga Sadhu.
Dominant sensibility mixes a feminist endorsement of Maya’s taking power into her own hands through sex with a hippie-era peace-and-love tone that comes across as half-baked and simple-minded. Eduardo Castro’s colorful costumes and Declan Quinn’s handsome lensing, do give the picture an exotic pull, even if Nair demonstrates little interest in the spectacle angle.īut the Westernized approach and modern feel keep pushing unignorably to the forefront, combining with the contrived plotting to steadily erode any sense of conviction as the film pushes forward. The lush surfaces created by the stunning locations at Khajuraho, a central Indian village noted for its erotic temples, and Amber, near Jaipur, along with Mark Friedberg’s eye-catching production design.
Once Maya is installed as the new chief courtesan, jealousy in both Tara and Jai inspires melodramatic hell to break loose, and a vulnerable kingdom ruled by a decadent leader begins to come apart at the seams. Naturally, this leads her back to Raj Singh, who by now has become a dissolute opium addict devoted to orgies rather than to keeping his kingdom together. After a brief affair, Jai lets Maya down by insisting that his muse cannot also be his lover, so she decides to become an artist in her own right by studying the Kama Sutra with the court’s former chief courtesan Rasa Devi (the exquisitely composed Rekha) in order to become a great courtesan herself. Resulting scene is the hottest in the picture, and Maya’s effect on Raj Singh proves so sensational that his mind is very much elsewhere when the time comes to consummate his marriage.īranded a whore, Maya is driven from the village and wanders the countryside until she is noticed by erotic sculptor Jai (Ramon Tikaram), who senses that she will be the one to inspire his greatest masterpiece. But in revenge for a public humiliation by Tara, Maya, on the eve of the royal wedding, sneaks in to seduce the king. Almost inevitably, the aristocratic Tara becomes engaged to the local king, Raj Singh (Naveen Andrews). Princess Tara and servant girl Maya grow up together as close playmates but, as adults, the bitchy Tara (Sarita Choudhury) is determined to keep her stunningly beautiful friend (Indira Varma) in her place.
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